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  • Meredith Wisner 6:25 pm on March 21, 2011 Permalink | Reply
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    Archiving Social Networks 

    Marc Smith, Sociologist from the Social Media Research Foundation, spoke at this year’s Personal Digital Archiving conference about software they have developed to archive social networks in social media. Node XL is open source, and as such enables anyone to study and archive the social networks that exist in sites like Facebook and Twitter. The software generates graphs that illustrate the relationships between people surrounding the common comments they make. It’s difficult for me to describe, but it is pretty cool, especially if you are interested in sociological research using social media.

    http://www.archive.org/details/PDA2011-marcsmith

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  • Meredith Wisner 4:25 pm on February 28, 2011 Permalink | Reply
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    William Kentridge: Five Themes @ MoMA 

    William Kentridge: Five Themes
    On view at MoMA: February 24, 2010-May 17, 2010

    Review of Multimedia site William Kentridge: Five Themes
    Designed by Amelle Stein, RenderMonkey

    http://conference.archimuse.com/mw2011/best/exhibition/william_kentridge_five_themes

    South African born William Kentridge’s video work is difficult to grasp without first hand interaction. Traditional print media fails to convey the process driving imagery that comprises Kentridge’s “drawings for projection,” nor does is give a sense of his unique treatment of narrative in his work. MoMA’s William Kentridge: Five Themes attempts to give a fuller understanding of Kentridge’s oeuvre by providing excerpted video and related drawings, explanatory text by curators, and interviews with Kentridge that illuminate his process, artistic intent and biography.

    The site maps Kentridge’s video and print work chronologically, while also mapping the thematic threads that appear throughout. The site navigates easily and for the most part intuitively, and allows visitors to the site to browse the five themes through a sort of flow chart that appears on the main page. Users can also browse chronologically using arrows provided on detail pages. The design of the site is visually striking, flows well and does not overwhelm Kentridge’s work with flash elements and other unnecessary design features.

    Though this site is certainly no replacement for the original work, it does provide a better understanding of what one might expect to see when viewing Kentridge’s art in person. For those unfamiliar with Kentridge I think it gives a greater sense of the level of craftsmanship involved in creating these pieces then can be expressed in text based art historical materials. I found the videos discussions of Kentridge’s process particularly illuminating, and his discussions on individual pieces satisfying as well.

    MoMA’s increased effort to provide points of access to their collections through dynamic web features like this one is admirable, and I think quickly becoming a benchmark for the field.

     
  • Meredith Wisner 9:00 pm on February 22, 2011 Permalink | Reply  

    Museums and the Web Conference–Philly, April 6-9. 

    Registration for the full conference is $350 for students. Sessions include linked data, issues surrounding mobile and geolocation, and info-seeking. More importantly, it looks like CollectiveAccess will be offering a workshop there. Could be useful for the art historians among us.

    Here’s a link:

    http://conference.archimuse.com/mw2011/index.html

     
  • Meredith Wisner 5:51 pm on February 16, 2011 Permalink | Reply  

    Found this article about Google’s teaming with Yad Vashem, the world’s largest Holocaust archive, to increase access to their materials, and allow users to add metadata and share information on Facebook and Twitter. Maybe sourcing the crowed is one way to deal with the volume of digital information we’re creating.

    http://www.nytimes.com/2011/02/13/world/middleeast/13holocaust.html?hp

     
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